These
three pieces were all live-in-the-studio first-take solo recordings with
no overdubs, sequences or programming. They were recorded on 16th and
17th April 2013, using one guitar (with live looping), one synthesiser,
one silent Buddha Machine and a little bit of fretless bass.
"neo-ambient soundscapes with a dark and maybe serious undercurrent... desolate essays in sound, often redolent of stagnation and stasis... elements of Robert Fripp’s 'Let the Power Fall'... an undercurrent of melancholia and doubt... " - Richard Foster, Incendiary Magazine... incendiarymag.com/whyarentyoulistening/jumbleholeclough/jumble_hole_clough_two_days_april
"all manner of post-industrial ambience and spookiness... I am reminded of Bill Nelson's forays into the world of guitar ambience... ambient music for folk who fall asleep at the very idea." - Roger Trenwith, Astounded By Sound... astoundedbysound.blogspot.co.uk/2013/05/jumble-hole-clough-two-days-in-april.html
"neo-ambient soundscapes with a dark and maybe serious undercurrent... desolate essays in sound, often redolent of stagnation and stasis... elements of Robert Fripp’s 'Let the Power Fall'... an undercurrent of melancholia and doubt... " - Richard Foster, Incendiary Magazine... incendiarymag.com/whyarentyoulistening/jumbleholeclough/jumble_hole_clough_two_days_april
"all manner of post-industrial ambience and spookiness... I am reminded of Bill Nelson's forays into the world of guitar ambience... ambient music for folk who fall asleep at the very idea." - Roger Trenwith, Astounded By Sound... astoundedbysound.blogspot.co.uk/2013/05/jumble-hole-clough-two-days-in-april.html
released 27 April 2013