PABLO MONTAGNE – P.Pascale acoustic guitar (with old strings), Adolfo’s little Washburn
ADOLFO LA VOLPE – P.Pascale acoustic guitar (with new strings)
Recorded by Adolfo La Volpe at Adhil Studio, Ceglie del Campo (Ba), November 3, 2011; Mixed
by Adolfo La Volpe & Mimmo Galizia; Front cover drawing: Andrea Montagne
Our website: www.chaqueobjet.net
ADOLFO LA VOLPE – P.Pascale acoustic guitar (with new strings)
Recorded by Adolfo La Volpe at Adhil Studio, Ceglie del Campo (Ba), November 3, 2011; Mixed
by Adolfo La Volpe & Mimmo Galizia; Front cover drawing: Andrea Montagne
Our website: www.chaqueobjet.net
Eccoli ancora, questa volta assieme in un duo acustico, Pablo Montagne e Adolfo La Volpe tornano su AlchEmistica
con un nuovo lavoro assieme alle loro chitarre. Si sa come vanno queste
cose, due amici si incontrano, si conoscono da tempo, hanno suonato
tante volte assieme e sanno come far dialogare i loro strumenti. Una
semplice visita di amicizia diventa la scusa per scambiare un paio di
idee musicali, per lasciar parlare le chitarre, per cesellare 15
improvvisazioni, 15 scampoli di discorsi, 15 dialoghi. Poi la scelta di
riascoltarsi, valutare il materiale e decidere di farlo uscire con
AlchEmistica. Potevano perdere questa occasione? No assolutamente.
Mancava solo la cover, a questo ha provveduto Andrea Montagne e non poteva disegnare meglio due musicisti così.
"CHAQUE ObJET"
is the result of a long collaboration between five musicians,
carried out either in the field of improvisation so-called "radical"
or as in the execution of written contemporary music.
The quintet's objective is, in fact, to explore the relationship between improvisation and written music,
intended in its fullest meaning, which includes, that is, alongside common musical notation, also the use of
graphic scores,
alternative notations,
game pieces,
and other procedures involving the use of
sp ace
body movement
an d constraint,
progammed errors.
The writing is intended as an instrument to orientate improvisation
on determinate processes of elaboration of musical material,
within a full range of possibilities of relations between signs, gestures and sounds,
which does not exclude the performing of compositions wholly written out, or on the other hand, totally free improvisation.