Recorded May 1985. Thanks to Wharton. AFTER A WHILE I TURN FOR GTR. TO BE HANDLED. WAILING WITHIN THE DIN. QUIT, TURN AND LED AWAY. "....the bridge, we'll build it now, it may take a lot of time..."
New Detroit Inc.: Brown Dub (2:37)
Recorded 1 Aug. 84. Remixed 16 May 85 at Whartons Fun City, NYC. John K. Erskine: vox redux, engineer, editor, Norman Westberg: guitar, Carolyn Master: guitar, Wharton Tiers: bass guitar and engineer, David Tritt: kick and snare, Sue Hanel: guitar, Harry Hams: remix assistant. Remixed from a version of Bob Dylan's "Ballad of Hollis Brown," any resemblance at this point is coincidental.
Tim Schellenbaum: El Baile de la Penitencia dolorosa (3:08)
Tim Schellenbaum: acoustic guitar, fiddle, piano, percussion, Peggy Hessing: voice, Mitch Salmen: electric guitar, recording engineer. Recorded at Bill's Friends studio. Albuquerque, New Mexico. 1982.
Bump: I am a Rat (2:00)
Jim Biodrman: percussion, synth, Ruth Peyser: guitar, vocals, Mike Sappoi: bass guitar. Recorded by Steve McAllister at Plugg Basement NYC Fall 1984.
John Myra: Skatebike and Perdue (4:09)
Recorded Spring 85 on a 4-trk mini studio. This piece was inspired by a sexy perdue chicken and a man who would ride a skatebike.
Run Nigger Run: Pray I Don't Kill You Faggot (5:29)
Steve Albini (Big Black): Moan guitar, bass guitar, tape, drums, Nathan Katruud (Urge Overkill): Arabian guitar, theme from Shaft guitar, big muff guitar, Bling-Tang guitar.
Mark C. and Marnie Greenholz: Bad Hospital (2:27)
Mark C: guitars, tapes. Marnie Greenholz: voice. This piece developed out of our collaborating in Live Skull and represents work completed since the recording of the album Bringing Home The Bait.
Glenn Branca: Acoustic Phenomena (3:59)
(1983). Introduction (the entire piece runs 14 min.) Originally commissioned by the Kunsthalle Berne, Switz. for performance installation by Dan Graham. It is dedicated to the memory of Axel Gross who assisted in the production and performed in the live version. Instrumentation is: 1) harmonics guitar, mallet guitar; 2) adapted harpsichords. The recording was made on a Tascam 4-trk cassette recorder.
James Vidos: Rudy Has Religion (1:33)
James Vidos: stratocaster, Richy Hand: Telecaster, 1000 year old Korg. Thanks to Billy "Do it till you're satisfied" Nichols.
Edited for UbuWeb by Steve McLaughlin
TELLUS is a subscription only bimonthly publication. To subscribe for one year (6 tapes) send $35.00 ($45.00 foreign), $7.00 single issue, to TELLUS, 143 Ludlow Street #14, NYC 10002.
This project is supported in part by the New York State Council on the Arts.
Engineered by B. Lindahl at Studio PASS, NYC.
Copyright 1985. All rights revert to the individual artists. Submissions must be accompanied by a stamped self addressed envelope.
Publlshers/Editors: Claudia Gould, Joseph Nechvatal, Carol Parkinson.
Cover by: Jane Bauman, copyright 1985
Dolby/Normal
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