Monday, November 24, 2014

Giuseppe Calamia

  

Giuseppe Calamia, experimental musician from Alcamo, the fourth largest city in the province of Trapani, in north-western Sicily, southern Italy., a lover of sound and noise, and interested in music research.
He works on guitar prepared with extension techniques and object interaction, mixing Harry Partch's microtonality with
Luigi Russolo's pioneers "intonarumori".



 





Shadow Pugilist has born in Alcamo, Italy, like a project of Giuseppe in the research of timbre and  "rumoristica" instrument in short electronic experiments, improvisations and providing extension for the sound and his space in ot through the instrument. Lo-fi home made and cut and paste recordings . "Forms made ​​with little unusual material", looking for sound freeforms.
 


 

Sunday, November 23, 2014

Jurica Jelic 13 questions



Jurica Jelic is a composer, fretless guitarist and bassist from Knin, Croatia. He presents his work in form of compositions for solo fretless guitar, songs for rock bands, together with works for ensembles and electroacoustic compositions. Main thread that goes through Jurica's music is microtonality, in other words majority of compositions have been written in tunings and temperaments that are different from 12 tone equal temperament.

 

Througout his musical career Jurica had a privillage to collaborate with many musicians both in studio and live setting; Johnny Reinhard, Srđan Sacher, Boris Leiner, Janko Novoselić, Jeroen Paul Thesseling, Tolgahan Cogulu, Svjetlana Bukvić, Marina Vesić, Philipp Gerschlauer, Marcus Beuter, Joe Pignato, Joel Taylor...to name a few.

Jurica's contemporary classical compositions were performed around many places around the world in cities like New York, London, Dublin, Vienna and few others.
Next to composition and performing, Jurica is co-founder of MicroFEST Knin; an international festival of microtonal music, that for first time took place in 2014. at fortress of Knin, in Croatia.




So far some of Jurica's music has been compiled into 11 albums, with "SedrA" being last one. Majority of his music stands as standalone pieces, film scores, and unrealized works on paper or "never to be published" recordings on personal archive. Also since most of hismusic in not in albums, these are albums that Jurica personally prefers: Elecroacoustic Layers (2011), Microtonal Instrumentals (2011) and from 2014, SedrA.

At the moment Jurica lives and works in Knin, and next to music he is making exotic acoustic instruments, and spending his free time on computers, electronics, off-grid living concepts and few other hobbies.



What are your motivations for playing music?

There are definitely many, but I must say that for me it's the whole process of creating music itself. Finding myself within the sound, and experiencing myself from a different perspecive. It's a sonic mirror for my emotions, thoughts and myself itself.



What do you expect from music?

When I was younger I expected a lot. These days...nothing. Its a train that I rented for myself, and
if someone wants to join the ride, they are more than welcome.



Which was the first musical sound do you remember?

There are many, but few got stuck in my mind... My fathers classical guitar playing, and sound
of bomb shells falling down.



What's the relevance of technique in music, in your opinion?

Personally I think technique can give you a freedom of expression. It's like expanding vocabulary in language. But, also one has to keep in mind, that you can't use grammar exercises and call it a poetry. It's all about balance and timing. If a piece of music asks for more technique than it's time to use it.



Define the sound you're still looking for.

Well if I knew what I was looking for, than it would ruin the whole experimentation thing. So I'll just go with the flow and where my heart leads me. Right now it's in realm of acoustic music.




Dream about a perfect instrument. What do you look for in an instrument?

Well since I also build instruments, and modify them there are many ideas and places one can go. Also just like creating music, creating instruments is a pleasurable process itself. Next in the line is
8 string fretless guitar, lute body thing...let's hope it will be my perfect instrument for solo
recitals.



What instruments do you use?

Well I am a bass player first, guitarist second. Weird stroke of luck got me stuck with guitar. So yeah I also use bass and few others. My current favorite is African Bass, that I hand crafted. It's an instrument that is a combination of fretless bass guitar and Moroccan sintir.



What projects are you working on now and what does the future hold?

To be honest I don't know. Many projects and none. Music world is full of false promises, so you can'texpect much. Right now I'm not working on any projects, tho Im writing a new album for an acoustic ensemble. So I'll see where that goes. Also recently I finished an album "Sedra" for solo fretless classical guitar. There are few in progress, but will talk about them once they are finished. I always try to keep myself busy on all fronts.




Free Download


Where are your roots? What are your secret influences? 

Well I must say that almost all of my inspiration and influences are non musical...almost I repeat. I find great source of inspiration in surrounding nature, and within myself. It's a place where I can always go for more.



Which living or dead artist would you like to collaborate with?

Anyone who inspires me, and is willing to be a good teacher. Also one needs to be good human being. Would never collaborate with assholes, no matter how good musically they are.


Jesen(Fall)  music composed by Jurica Jelic ©2011, visuals edited by jaime Rguez ©2011, sound-videoArt for TRANSIT

What's your best musical experience?

Probably playing together with my teenage rock gods, in front of thousands of people! But each project had something unique and something that changed me as a person. So all of them are equally important part of my life.



What’s your most crazy project?

Oh man, each one has it's own flavor of crazy. So much to pick from. But I think my electroacoustic album "Distant memories"is the weirdest shit I ever made...It's a project from my phase when I was experimenting with programming and using sound programming language Csound. I dare you to listen to it. And don't worry I don't get it myself.



What is your relationship with other disciplines such as painting, literature, dance, theater ...?

Well I do paint from time to time, but no one is ever going to see that. I suck at it. But besides music, I build instruments,
fool around with computers, also there is my day job as system administrator. Also there is family life, but there are only
24 hrs within a day.. so I recon I'll try theater in next life, or afterlife.


 


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