Monday, December 30, 2013

Taku Sugimoto

 

Myshkin Musicu (for electric guitar)

1. Kira

2. Marguerite

3. Madarkam

4. Bateau

5. Guitar Amp II

6. Improvisation
 
Electric Guitar - Kevin Drumm
Percussion - Atsuko Ono* , Michael Hartman
Reeds - Michael Colligan
Tape, Electronics [Cd], Koto [Electric] - Brent Gutzeit
Tape, Viola, Electric Guitar - Tetuzi Akiyama


7. Bell

8. Madarkam II



Born in Tokyo, December 20, 1965, Taku Sugimoto started playing guitar when he was a high school student. At first he played rock and blues, and then he also became interested in free jazz, European free improvised music, and avant-garde classical music.

In 1985, Sugimoto co-founded the improvisational psychedelic rock band Piero Manzoni, whose main influences were the Velvet Underground and MC5. The group, including Masaki Bato on bass and Sugimoto on guitar, disbanded in '88. For the next few years, Sugimoto was involved in solo performance and session work. It was during this period that he released his first solo LP, Mienai Tenshi ('88), which had a big, heavy sound.

In '91, Sugimoto started playing cello, and for the next two years abandoned the guitar in order to focus completely on this instrument. He formed Henkyo Gakudan (which was active in '91-'92) with alto sax player Hiroshi Itsui and guitarist Michio Kurihara. The group's music sounded like somewhat high-volume improvised chamber music. Sugimoto was also briefly a member, in '93, of the psychedelic rock band Ghost, and in '94, of Tetuzi Akiyama's avant-garde classical music band Hikyo String Quintet. After releasing his cello solo CD Slub in '94, Sugimoto gave up the cello.

Sugimoto and Tetuzi Akiyama launched their guitar duo Akiyama-Sugimoto in '94. From that time, Sugimoto gradually shifted from a loud, heavy sound to the extremely quiet sound, full of silences, which he established through solo and other projects as his own unique style. In 1998, together with Akiyama and Toshimaru Nakamura, he launched the inspiring monthly concert series The Improvisation Meeting at Bar Aoyama (renamed The Experimental Meeting at Bar Aoyama in '99, and Meeting at Off Site in 2000), which he continued to organize until his retirement from the series in February 2001.

Currently Sugimoto's interest focuses on composition and its performance, rather than improvisation. With Taku Unami and Masahiko Okura, Sugimoto organizes the almost-monthly Chamber Music Concert at Loop-Line and the irregular Taku Sugimoto Composition Series at Kid Ailack Art Hall, both in Tokyo. He runs the label Slub Music, which in addition to Sugimoto's own recordings releases CDs by Taku Unami, Kazushige Kinoshita, Radu Malfatti, Antoine Beuger, and others. 



www.ubu.com