“Fascinating release from Sean Moran, whose nylon string guitar adds a bright element to this edgy modern jazz session. Music that takes odd angles and unexpected curves. With Chris Dingman on vibes, Harris Eisenstadt on drums, Mike McGinnis on woodwinds, Reuben Radding on bass, Moran has assembled a crew that knows how to navigate unconventional music. Highly recommended” (Dave Sumner, eMusic contributer)
(Sean Moran’s Small Elephant) Guitarist-Composer Sean Moran presents works inspired by both hectic fusion and dreamy chamber music..
Time Out NY
Sean Moran - Guitar John Mettam - Drums Stuart Popejoy - Bass, Keyboards
Edgy electric guitar improvisations…
Astarita – All About Jazz
Combining the vibrancy of modern jazz and popular music with the sophistication of a classical chamber group, The Four Bagsfeature a captivating blend of Trombone, Accordion, Guitar and Woodwinds. With mature improvisation and a wide array of tonal colors, The Bags approach music from Schoenberg to the Beastie Boys in a way that is "wonderfully difficult to define, easy to enjoy."-D. Garland WNYC
Electric guitarist Sean Moran plays a critical role throughout, with his hard-laced solos blending a rock sensibility with a free aesthetic.
Loewy – All Music review of Federico Ughi’s “South of Brooklyn” 577 records
The group is a chamber ensemble making music in the era-defining category of the uncategorizable, its work a hybrid of jazz, classical, folk, and pop musics from around the world. Exuberant, virtuosic, and light-spirited, the Four Bags make smart music with a quiet, joyful intensity..I’m loving the group’s new CD, Forth
Hajdu – The New Republic
“What a strange lineup for a jazz quartet: trombone, accordion, guitar, and woodwinds. But what vibrant, compelling music. This is as hip as chamber jazz gets. To drive the point home the quartet even covers a song by the French electronic duo Air.”
Greenlee – Jazz’s top ten albums of 2011 – The Boston Globe
Guitarist Sean Moran, in particular, is a curious player who stands out even within such a curious group (The Four Bags). His electric playing seems to be informed largely by post-rock atmospherics (think delay, trem picking, all the rest) and classic film soundtracks (a little noir here, a little Morricone there) – it’s a daring fit within the accordion/clarinet/trombone/guitar schematic. At one point, the group segued from a classic French waltz into one of Moran’s own compositions, which featured a hilariously chug-y metallic breakdown fit for any number of contemporary hardcore groups to ransack.
Battik – Dispatch Magazine
Mr. Moran, a forward-thinking guitarist, focuses on his nylon-string and his own compositions in this new ensemble. (Small Elephant)
Chinen – NY Times