Obscure No. 8: Machine Music – John White, Gavin Bryars (1978) 
 John White –  Autumn Countdown Machine John White –  Autumn Countdown Machine
 
 Bassoon, Percussion – Christopher Hobbs Double Bass – Sandra Hill Double Bass, Percussion [Metronome] – Gavin Bryars Tuba, Percussion [Metronome], Percussion – John White
 
 
 John White – Son Of Gothic Chord John White – Son Of Gothic Chord
 
 Piano – Christopher Hobbs, John White
 
 
 John White –  Jew's Harp Machine John White –  Jew's Harp Machine
 
 Jew's Harp – Christopher Hobbs, Gavin Bryars, John White, Michael Nyman
 
 
 John White –  Drinking And Hooting Machine John White –  Drinking And Hooting Machine
 
 Percussion [Bottle] – Brian Eno, Christopher Hobbs, Gavin Bryars, John White, Susan Dorey*
 
 
 Gavin Bryars –  The Squirrel And The Ricketty Racketty Bridge Gavin Bryars –  The Squirrel And The Ricketty Racketty Bridge
 
 Acoustic Guitar [Steel Stringed] – Derek Bailey
 Electric Guitar – Brian Eno
 Electric Guitar [Double-headed] – Fred Frith
 Guitar [Concert] – Gavin Bryars
 
 
 
 Recorded At – Basing Street Studios
 Phonographic Copyright (p) – Obscure Records Ltd.
 Engineer – Rhett Davies
 Producer – Brian Eno
 Written-By – Gavin Bryars (tracks: B), John White (tracks: A1 to A4)
 Recorded at Basing Street Studios 1976.
 
 
 
   
Gavin Bryars composed a guitar piece for Derek Bailey called "The 
Squirrel & the Ricketty Racketty Bridge". A piece for one guitarist 
playing two simultaneous guitars. Bailey ended up recording the 
composition with four players on eight guitars ... we wanted to treat 
the eight & add three more .... different instruments.
 
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"There is no doubt in my mind that my friend Derek Bailey was one of the 
major figures in music – and not just improvised music – over the last 
thirty years. I was a 19-year old philosophy student, and beginning jazz
 bass player, in Sheffield when I first met him in 1962. Along with 
drummer Tony Oxley, our trio – called Joseph Holbrooke - 
developed over the next four years an original and experimental approach
 to improvisation that led us away from jazz into uncharted areas of 
collective free playing."  
Gavin Bryars
More Derek Bailey in Prepared Guitar Blog
 
