It Stuck to the Fridge
In playing, we can encounter types of magnetisms, or something behaving as magnetisms. A player´s mind intuitively sort of “locks on” to some other player´s activity; their phrasing, say.
Or if´s a solo gig and I´m finding some “magnetic” musical attractivity in the influence of a sculpture, or a person nearby. It could be anything. Bowl of peanuts.
Actually this analogy applies more correctly to electromagnetism, since these connections are usually temporary in nature. They occur, take on a function in the sound-making interaction, and then the moment of their functioning somehow morphs into some other kind of interaction.
At that point the electromagnet has been at least temporarily disconnected form that particular sonic event.
(Note: the disconnect switch is under the kitchen cabinet, on your right. The switch on the left is the garbage disposal. Don´t turn that on without running the water).
Sculptures: Rotoreliefs from Marcel Duchamp
01.- Call it anything you want
02.- Concerning accidents
03.- Dislike of musical noise explained
05.- Truth in music appretiation
06.- What is musical free improvisation
07.- Our Universe
08.- Working Jung's Riff
10.- When it's our of our hands
11.- Glad we didn't order the special
12.- Working Jung's Riff
13.- Know the enemy
14.- The mutable form
15.- Concerning Inmortality
16.- Mach Numbers
17.- Conditionalities of Quietude
18.- Then and now
19.- Why not Sneeze
20.- We Passed Jupiter and Then Headed North
21.- Product Placement
22.- Coming under Fire
23.- Longevity of the Unpredictable
24.- Signal Intelligence
25.- FUBAR to the Rescue
26.- What Was That?
27.- The Sonata Came much Later
28.- Coming Under Fire31.- Solo gig - A token of Esteem
29.- An Unlikely Crisis
30.- The Huge Flummox Factor
32.- Solo Gig Tough Corner
33.- The Long Arm of Replication
Based in a noted musician's decades of personal experiences, his book Solo Gig: Essential Curiosities in Musical Free Improvisation (CreateSpace Independent Publishing Platform, 2011) examines some crucial and far-reaching aspects of musical free improvisation, with particular regard to live performances. In this illustrated collection of narrative essays, the author looks both into and from inside this uniquely paradoxical, challenging and rewarding way of making music, within the context of an inherently eccentric milieu.