Saturday, December 13, 2014

Ernesto Diaz Infante 13 questions

Ernesto Diaz-Infante’s musical compositions span a broad perspective: transcendental piano, noise, avant-garde guitar, field recordings, lo-fi four-track manipulations, and experimental song. ED-I has performed throughout Europe and the United States, and his music has been broadcasted internationally. He runs the music label Pax Recordings, and has released over twenty recordings on his own and others’ labels.

Born in Salinas, California, ED-I is of Mexican ancestry. He received his BA from the College of Creative Studies at University of California, Santa Barbara and his MFA in Music Composition from California Institute of the Arts.


He co-founded the Big Sur Experimental Festival (1999-2004) and San Francisco Alternative Music Festival (2000-2003). He is presently focusing on mantra-esque acoustic guitar strumming and fingerpicking. ED-I recently composed the music for filmmaker Marjorie Sturm’s film, “The Cult of JT LeRoy.” He lives with Sturm and their two children in San Francisco.

"Ernesto is by now to be considered one of the most attentive, ear-opening, brain-splitting creatives in the new music scene."--Massimo Ricci, Touching Extremes.

"He makes a dangerous playmate." --The WIRE

"Since the mid-'90s, Ernesto Diaz-Infante counts as one of the most prolific avant-garde composer and improviser the U.S. West Coast has seen. He has performed and recorded music on piano, prepared guitar, and electronics; composed chamber music; improvised with a very large number of musicians from California, New York, and Chicago; and released a pile of CDs on very small independent labels such as Pax Recordings, Sweetstuff Media, Zzaj Productions, and Public Eyesore. He also curates the Big Sur Experimental Music Festival (since 1999) and the creative music series at the Luggage Store Gallery in San Francisco (since 2000). His multifaceted career gives him the look of an eclectic or maverick artist, but the persistence and commanding seriousness with which he pursues his career is gaining him a small but dedicated following." --Francois Couture, All Muisc Guide.

What do you remember about your first concert you played?

Honestly, I don’t remember my first concert. I was recruited to play organ in
my church from a young age and then was able to drop out of school at thirteen and tour with a Mexican rock/pop band. Maybe that’s why I don’t really enjoy performing concerts now?

 Intervalos de confianza from Ernesto Diaz-Infante on Myspace.

Why do you need music? Can we live without music?

Hmmm, I think some people can live without music and do. I personally can’t. For me, music is the way I cope and make sense of the world and handle it all. It’s also what gives me pleasure and meaning.

Which is the main pleasure of the guitar? What is its main limitation?

The guitar is an incredibly complex instrument that can be explored at ad infinitum. For me that is exciting. I love the sound of strumming. Just looking at my guitar from across the room calms me. The guitar feels pretty limitless
to me . . .

Which work of your own are you most surprised by, and why?

My first mantra album ‘Civilian Life’ most surprised me. I didn’t know if I would be able to pull off an album that was entirely strumming. Most of it was performed looking out my window at the sunsets over a six year period. That’s a super long stretch for me.

Where are your roots? What are your influences?

My roots are with Carlos Santana and Los Lobos. Mexican rock that I grew up with and inspired me as a child to want to play. Later on in my life, I became pretty obsessed with Morton Feldman, Wadada Leo Smith, and Alice Coltrane. I’m still obsessed.

Tell me one musical work which has provoked a change in your music?

Morton Feldman’s Bunita Marcus hugely changed my music by exposing me to something so transcendental, the delivery of sounds effected how I perceived time.
Listening to this changed my music, and therefore my life. However, I just read yesterday that Bunita Marcus has spoken out that Morton Feldman was sexually violent with her. I'm incredibly
saddened to learn this. I'm just beginning to process it. I hope Bunita Marcus continues to share however is best for herself, and the public gives her their attention and respect.

Define the sound you're still looking for, or the sound you'd like to hear.

On my last album, “Wistful Entrance, Wistful Exit” the poet Bill Shute chose waves from the ocean for it. I think it works great to illustrate ‘the endless strum.”

How would you define the present time in musical terms?

Just a breathe 

Photo Salvador F. Muñoz

Why and how do you use extended techniques on guitar?

Extended techniques are a quest to find the sounds that I am searching for.

What is some valuable advice that someone has given to you in the past?

I met an artist at a residency at one point (I forget his name) and he encouraged me to look at my whole life as an artistic palette, to consider longevity. In order to create art, we must live art and be open. We must process our experiences each day as they unfold. We must move slowly. It has very little to do with short-term ego-driven goals.

What gear do you use?

Right now, a very basic setup of a Martin 12 string acoustic-electric guitar (I sometimes play a 12-string acoustic-electric bajo sexto) and a LoudBox mini amp.

What is the most recent musical concept that has attracted your attention?

Well, I can’t say that it is too recent but I’ve been pretty committed to Strumming music lately. My own and others, Charlemagne Palestine, Rhys Chatham, Lubomyr Melnyk, and James Blackshaw.

Of course, this isn’t the only music that I engage with.I listen to whatever anyone gives me and re-visit a lot of old music, and follow new and old artists latest releases. But I rarely find any other concept that holds my attention for an extended time.

Selected Discography

Ernesto Diaz-Infante
Wistful entrance, wistful exit
Kendra Steiner Editions #279

Ernesto Diaz-Infante/Lisa Cameron/Lee Dockery
Live At The KSE 6th Anniverary Concert
Kendra Steiner Editions #255

 Ernesto Diaz-Infante
Kendra Steiner Editions #206

 Helena Espvall & Ernesto Diaz-Infante
Hallowed Shell of Ash And Rust
Erototox Decodings  etd 0021

 Ernesto Diaz-Infante
Civilian Life
Pax Recordings  PR90290


 The Neshama Alma Band, with Zzaj
2 Join Occult
Zzaj Productions ZP-76   

 Ernesto Diaz-Infante/Manuel Mota/Gino Robair/Ernesto Rodrigues
Our Faceless Empire 
Pax Recordings PR90289
Reverberations From Spring Past  
 Pax Recordings  PR90281

Voices In The Wilderness  
Dissenting Soundscapes and Songs of G.W.'s America   
Pax Recordings  PR90276

The Abstractions 
 Novo Navigatio  
 Edgetone Records  PR90275/EDT4027

Dave Tucker West Coast Group  
 Pax Recordings  PR90264

Ernesto Diaz-Infante & Chris Forsyth  
(as is stated...before known)   
Pax Recordings  PR90263

Ernesto Diaz-Infante & Matt Hannafin  
all the states between   
Pax Recordings  PR90262

The Abstractions 
 Ars Vivende   
Pax Recordings  PR90260/EDT4019


Ernesto Diaz-Infante  
 Pax Recordings  PR90259

Moe! Staiano's MOE!KESTRA!  
Two Forms of Multitudes: Conducted Improvisations  
 Pax Recordings  PR90261

grand mal  Pax Recordings  bar 1234/pax 

 long await between collapsed lungs   
Pax Recordings  PR90257

Ernesto Diaz-Infante & Chris Forsyth
 Pax Recordings  PR90256

download free mp3s of the two controversial tracks: BritneySpearsAutopsy.mp3

Everything Changed After 7-11  
 Pax Recordings  PR90255

 Crashing The Russian Renaissance   
Pax Recordings  PR90253

Ernesto Diaz-Infante & Chris Forsyth  
Wires and Wooden Boxes   
Pax Recordings  PR90252

Ernesto Diaz-Infante  
Pax Recordings  PR90250

Ernesto Diaz-Infante  
Ucross Journal  
 Pax Recordings  PR90249

Ernesto Diaz-Infante  
Pax Recordings  PR90247

Ernesto Diaz-Infante  
Pax Recordings  PR90245

 Pax Recordings  PR90272


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