Eddy Louiss was a French jazz musician, organist, also a singer and pianist, born in Paris May 2, 1941 and died on June 30 2015 in Poitiers.
His primary instrument is the Hammond organ. Eddy Louiss comes from a musical family, his father being a trumpeter. He studied himself the trumpet and piano. As a teenager, he played in the orchestra of his father. In the early 1960s he played piano in clubs in Paris, while continuing his studies. As a vocalist, he was a member of Les Double Six of Paris from 1961 through 1963 (with its founder Mimi Perrin, Roger Guerin, Ward Swingle and Christiane Legrand, the sister of Michel Legrand).
Eddy Louiss - Hammond organ B3, Jean-Michel Charbonel - contrebasse, Jean-Marie Ecay - guitare, Xavier Cobo - sax tenor, Daniel Huck - sax alto, Francis Arnaud - batterie
Adding the organ in its instrumental palette, Louiss plays in the 1960s with Johnny Griffin, Art Taylor, Jean-Luc Ponty, Dizzy Gillespie and Stan Getz. In the late 1960s, he was part of a trio with Kenny Clarke and Rene Thomas also recorded with Barney Kessel. Eddy Louiss also played and recorded with Claude Nougaro, Jane Birkin and many others. He also plays with Henri Salvador ... It forms a big band, "Multicolor Feeling" with which he toured extensively throughout Europe.
In 1971 he was a member of the Stan Getz quartet (with René Thomas and Bernard Lubat) that recorded the celebrated Getz album Dynasty.
"Dum! Dum!" composed by Eddy Louiss. Stan Getz,tenor sax, Eddy Louiss,organ, Renè Thomas,guitar, Bernard Lubat,drums, Paris 1971.
The unique Stan Getz Dynasty band was formed in Paris. It included the brilliant Belgian guitarist René Thomas, organist Eddy Louiss from Martinique, and French classical and jazz percussionist Bernard Lubat.
Not having brought charts Getz, who had arrived to watch championship tennis, was happy to play music composed by himself, Rene Thomas, Eddy Louiss & also better known works by Bronislau Kaper and Benny Golson.
In duet, he has recorded with Michel Petrucciani (1994) and accordionist Richard Galliano (2002). His more recent recordings—for example, Sentimental Feeling and Récit proche—combine jazz with rock and world music.
Jean-Claude Brisson, Jean-Louis Cavalier, Bernard Dumont and Robert Rea realized Blues, White, Red, a color rare documentary about the musician (1h 20 '), released in 1977. We see and we hear Eddy Louiss, playing and improvising on the organ in different places and at home. It also reflects its long commitment to jazz.
In 2006, Eddy wants to meet its commitments despite health problems. The concert on August 8, 2006 at the Jazz in Marciac festival marks the beginning of a combat period. He amputated the left foot. A long and difficult rehabilitation period begins. He fights and his entourage also.
The album box D’un jour à l’autre released in 2009 announced his return. This remastered reissue contains Histoire sans parole, a beautiful album of 1978 almost unknown since disappeared with the distributor of the time. We discover in this case different facets of Eddy, his interest in electronic music, both albums of MultiColor Feeling Fanfare showing the Eddy joy in sharing music.
The year 2010 has been back on stage, including the celebration of his fifty-year career at the Olympia, with the rebirth of Multicolor Feeling Fanfare over 60 musicians. He recorded the album Taurorque and participated in the soundtrack of the film Le Bruit des glaçons, of Bertrand Blier with Jean Dujardin and Albert Dupontel.
In 1964, he was awarded the Prix Django Reinhardt.
Eddy Louiss : orgue | Francis Arnaud : batterie | Jean-Michel Charbonel : basse | Fabien Mary : trompette | Stephane Chausse : saxophone, Ewi | Richard Manetti : guitare | Mathieu Chatelain : guitare
on Cherry was one of the most "youthful" musicians in contemporary jazz after 1960. Not only did he take part in the development of the free jazz idiom, but he was one of the first jazz musicians to seriously embrace other cultures, and develop a musical kind of multi-culturalism long before it became fashionable. In this sense, Don Cherry probably is one of the most important fathers of so-called "world music".
herry was born in 1936 in Oklahoma City. He first came to prominence as trumpeter in the bands of Ornette Coleman with whom he played from 1957 onward. He was a member of the "classic" Ornette Coleman Quartet into the 1960s. From 1963-1964 Cherry was one of the co-leaders of the New York Contemporary Five. The next couple of years he spent in Europe, living in Paris and later on in Sweden. At the same time he toured Asia and became interested in the musical traditions of different continents.
he Trio Codona with Nana Vasconcelos and Collin Walcott and the quartet Old and New Dreams which played a Coleman-oriented music brought Cherry to prominence again in the 1970s and 1980s, but the trumpeter also performed in a wide range of stylistic environments from ethnic musicians to the veteran trumpeter Jabbo Smith. Cherry died in October 1995 at a time when he was very much in demand with the growing enthusiasm for world music.
on Cherry often performed on a small pocket trumpet or cornet. His roots are clearly in the bebop tradition, his strength was not so much fast virtuoso lines but rather his melodic originality, his full, brassy sound and his ability to work within nearly any musical context. Ethnic influences can be discerned within most of his later works from instrumentation down to the structuring of his music.
Something Else
Tomorrow Is The Question
The Shape Of Jazz To Come
Change Of The Century
The Avant Garde
This Is Our Music
Free Jazz
Ornette On Tenor
The Art Of The Improvisers
Beauty Is A Rare Thing
Our Man In Jazz
Archie Shepp and the New York Contemporary Five
New York Eye & Ear Control
Ghosts
Complete Communion
Mu. Second Part
Science Fiction
Live
L
Codona
The Bells
Old And New Dreams
Codona 2
Playing
Laughter
Codona 3
A Tribute To Blackwell
Double Bummer
Multikulti
Somewhere Else
Shuffletown
Gift Of The Gnawa
Dona Nostra
Stolen Moments: Red, Hot And Cool
Up And Down Club Sessions, Vol. II